KILN
KILN construct radiantly textured soundfields that envelop and immerse the listener in a panoramic smudge of chromatic rhythms and syncopated tones.
KILN is Kevin Hayes, Kirk Marrison, and Clark Rehberg III.
KILN recommends:
Vintage recordings from our daze as a live-trio capturing and layering sounds through a Mackie 1604 to an 8-channel ADAT. Treated kitdrums, guitars, and foundsound abound in this revitalized classic.
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supported by 9 fans who also own “Printemps”
The Sails is a sonic journey that takes the listener from the familiar to the alien and keeps your foot tapping the whole way. Rhythm is driven by layers of bass, synths and samples often without a drum track. Give Still a listen, a glorious riot to take your ears on an adventure. Also, who else is writing 9 minutes long tracks any more? @mohlers pick for best of 22
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supported by 9 fans who also own “Printemps”
About a year back I spent a good part of the winter sleeping to this album on repeat. Some of the experiences I had during the twilight zone between waking and sleeping consciousness to these sounds were beyond this earth... On the same level as Aphex Twin's ambient tracks imo. Love love love.
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disconsolate transceiver
by meant.
Brash experimental electronic compositions from this Tulsa-based musician heavy on serrated sheets of sound that hiss and scald.
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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