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Ampday

by KILN

supported by
Anthony Childs
Anthony Childs thumbnail
Anthony Childs A more live-sounding almost indie rock leaning release, the percussion not treated as much as on later releases. Highly recommended for fans of Ui, Tortoise, Him (Doug Scharin's group), Fridge and inventive instrumental music Favorite track: Untitled Bright Format_v2.
KBM®
KBM® thumbnail
KBM® a more pop driven set of tracks by KILN. you can tell it was produced around the same time as Holo, but it has a much more acoustic and rock feel to it, which is still pretty enjoyable. Ampday is a drive down the highway with the sun setting behind an ocean. it is beautiful in a contemporary sense, meaning my dad would like it, but yet it still has those distorted synths and clicky percussion that any long time KILN fan would love and appreciate. Favorite track: Ampday.
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Ampday 01:47
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Tinsunshine 03:56
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Printemps 02:00
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Pinwheel 03:53
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Rayed 04:39
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03:45
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about

Constructed between the autumn of 1997 and spring of 1999, Ampday (released in 2000) was an experiment using naturalist recording techniques and nascent digital workstation methods to build an easily accessible collection of immersive 'performance based' KILN-structures. Done in tandem with work that would become Holo (1998—re-imagined+re-released in 2007 as Holo [re/lux]), Ampday was intended to be a kit propelled joyride through a rem-state halo of electrified strings—offering something "for sound-hounds and pop-junkies alike."

credits

released May 16, 2000

All soundforms by Hayes, Marrison and Rehberg

license

all rights reserved

tags

about

KILN

KILN construct radiantly textured soundfields that envelop and immerse the listener in a panoramic smudge of chromatic rhythms and syncopated tones.

KILN is Kevin Hayes, Kirk Marrison, and Clark Rehberg III.

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