meadow:watt

by KILN

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Anthony Childs Edible sound! Similar in textural intricacies to the early Mouse on Mars albums. Its easy to become engrossed in the combination of their audio and visual aesthetics. Favorite track: pineMarten.

Gaslight Gatekeep Girlboss The Warm Fuzzies: The Album. Favorite track: pineMarten.

c reminds me of tchaikovsky's arabian dance. Favorite track: pineMarten.

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Martin Bailey - Power Escape/Hologrambient thumbnail

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Compact Disc
Compact Disc (CD) + Digital Album
Includes unlimited streaming of meadow:watt via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	rOil 05:09	buy track
2.	pineMarten 05:31	buy track
3.	star.field 06:17	buy track
4.	willowBrux 06:29	buy track
5.	kopperKosmo 06:52	buy track
6.	moth and moon 04:55	buy track
7.	jux 03:31	buy track
8.	acre 06:38	buy track
9.	boro 06:36	buy track

about

KILN expands upon its aural concepts of fluid, neverwhere textures with meadow:watt, its third full-length with Ghostly International. Building upon the sound they developed over 10 years ago with Sunbox, then expounded upon in 2007 with Dusker, the evocative spaces of meadow:watt bring the sonic art of Kevin Hayes, Kirk Marrison and Clark Rehberg III into even sharper focus. The nine tracks of meadow:watt continuously construct and deconstruct themselves, gliding through movements of disrupted organic & electrified elements. In many ways, meadow:watt is KILN's most melodic record yet with tracks like "Acre" and "Moth and Moon," which offer dreamy guitar notes bending like the sun's curves on a watery horizon. "Pinemarten" is driven by its percussion, strolling in a steady line where there is no path, and "Jux" offers a cascade of oxidized symphonics, tumbling through dubbed out atmospheres of liquid zipper treatments.

The mech-natura mosaics of meadow:watt create a resonating mirage of rhythmic sound that would be equally perfect for a walk in the park or a float down the river. Dusker and meadow:watt were conceived with a similar intent, but the latter is thicker and more elaborate, expanding upon the process and dusken theme of the former. The invitation to trustfall into their landscape is crafted with a landing that intends to evoke a new sense of connectedness. The beauty of KILN, which has been clearly mastered by this record, is the inspiration to experience the same songs differently upon repeated listens – an achievement that has distinguished certain artists in the vast timeline of ambient, krautrock, post-rock and electronic music in general.

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released November 12, 2013

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about

KILN

KILN construct radiantly textured soundfields that envelop and immerse the listener in a panoramic smudge of chromatic rhythms and syncopated tones.

KILN is Kevin Hayes, Kirk Marrison, and Clark Rehberg III.

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