KILN
KILN construct radiantly textured soundfields that envelop and immerse the listener in a panoramic smudge of chromatic rhythms and syncopated tones.
KILN is Kevin Hayes, Kirk Marrison, and Clark Rehberg III.
KILN recommends:
Vintage recordings from our daze as a live-trio capturing and layering sounds through a Mackie 1604 to an 8-channel ADAT. Treated kitdrums, guitars, and foundsound abound in this revitalized classic.
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supported by 9 fans who also own “Dustdevil [ Koi coda ]”
sez: O-hh-oo ..the 'beastie' (as promised)...and a long, long overdue "Thanks!" to Marcus at Hyperdub. If I had to choose, my
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supported by 8 fans who also own “Dustdevil [ Koi coda ]”
Some of Loscil's best work. Here he uses expansive orchestral samples to great effect, but it still has that inscrutable attention to detail that he's deservedly known for. Loscil's music humbly hides the complexity of its composition, within its subtle detail, beckoning the listener to lean into the speaker and become immersed. Despite that, it is not disruptive in the background.
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G_d’s Pee AT STATE’S END!
by Godspeed You! Black Emperor
supported by 7 fans who also own “Dustdevil [ Koi coda ]”
haha, they said pee *ascends the staircase of holy light*
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disconsolate transceiver
by meant.
Brash experimental electronic compositions from this Tulsa-based musician heavy on serrated sheets of sound that hiss and scald.
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Performed on the 1975 La Trobe Serge ‘Paperface’ modular synth, “METASTABILITY” is full or curlicue electronics.
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